Þ   ÜÜÜÜÜ ÜÜß²²ÜÜÜܲ² Þ°Ý Üß°²ÞÜ Þ²ßÜܰ°  ÜÜßÛÝ ÜÜÜÜÜ Û²Þßܰ° ÜÜßܰ°Û°ßÜßßÞß² ÜßßÝÞÜÜ  Þ ÞÜß ÞßÝ Üß°°°ÜßÜ ÜÜÜÜÜ ß Üß ÝßÜßÜßß±Û Ûß ÝÝ Üß° °°ÜßÜßÛ °° ްݰ°Üß   ° Ý ß²ÜÜ ±± Üß²±°ß °° ° °°ÝÜ ÝܰÞݰ ²² Û² Þ° °² ÛÛÞ²ßܰÝÞ²°Ý ÜßÜÛ²²ÛÜ ÜÜܲ °° ° °° Ü ±±ßßÜ Ý ßÜ ßܲÜÛßÜ ßÜ Û Üß²°ÜÞÞ²ÛÞ ÛÛ² Ü ßÜÞÛÜß ßÛÛ²ÛÛÜÛßßß°°  Ü ²²ÛÜÜܲ  °² °  ²°ßÜß Ý ßܰßÜ ±ß ÜßÞÞÞÞÝÞ ÛÛÛÝ ÛÝßß Ü ßÞÛ²²ÛÜ ²²Ý ° ÜÛÛÛÛ²²Ü ° ²²Û Üß Ý Ü±ݰ Ü ÜßÞÝ ±°°ÜÝ ÞÞ²Þ Þ Û²²Û ßÛ±±²°° Þ²Ü Þ °°²ÛÝ ÞÛÛ ÞÛÛ±±ß ßÝ ÞÛÝÛ±±ß Üß Ü ±ݱ °°Û Û²²Û ° ܰÞ Þ Þ²°²ÜÞÛÛÛ Ü Þ ß ÞÜ °²ß Þ²²Ý Û²ÛÛÝ °ß °°Ü²² Û °°°ÜÜ ß۲ݲ ÜÝ ²²Û ²ÛÛÛÝ ÜÞÝÞ ßܰßÞ ßÞ ÝßÝ ÜÞ° Üß °° Û±± Ý Þ²²Ü ÜÜß°²Þ²Û°ßßܰ°ßÜ ÛݲÜß ÞÛÛÝ °ß²²ÛÜ °°ßÛÞ °   °°² Þ Ý Ü±±ÞÜß Ü ²² ÛÛÛÝÞ² Û°°° °°ßÜß ÞÛ ² ÜÜ ß²²Ý Ýß Ü²²ß ²Û ßÛ±±Ü  ß Ý ÞÞ ßßÞÞÜÜ Ü²Ýß Þ ÜÛ²Û²²ÜÜܲ² ßÝ ßßݲ²Ýß ÜÞ² ² Ýßܰ ±± Ý ÜßÜß ÜÞ ÛÛÜ Ý ßÛÛ °²ÜÝ ÛÛÛÛ Þ Ûß ÜÛÛ Ü Û   °°°° ß Ý Þ Û²°  ± Ý Þ°Ý ÛÛݲÛß ÜÜÜÞ ²²ßßݰÜßÞÝ ß²Ý Û Ü ÜÝÞ ß Üßß Þ ßÜ Ý° ÞÜÜ Ý n!Þ ÜÜÜÜ °   ÞÝÝ ÜÛÝß ÜßÝ ß² °° Ý Ýß ² ÝÝ ° ²ÝÝÝÞß ßÝ  Ü Þ Ýß²ÜÝ °°±²±ÞßÞ ß Ü Þ Ýß Þ ÝÜßÝ Ûß Ý° Ý Þ  Þ ß Ý  ° Ý ß Ý ÞÝÜß ß Ý ÝßÝ  ßÞ ÞÝ ÝßÞÜÝ ß ÜßÝ ß Ý²Þ  Þß°ÜÝ ß Þß  Ý  ÞÜßÝ  ßÝ   Ý °° ßß Ý Þ ß @crowkeepÞ Ýß ÝÝ ß Who ß#poem #AdaLovelaceDay ß TheWith a spool SingularityOf bloody_/_Little WinksTrigonometry/(")\  ASCII Art At She._\b__#__d/_ Edward First /p # q\  Scissorhands Chained._/ \_ldb The Machine. For the first time in a long, long time, I'm not filled with ancient history to disgorge at you at great length. I have no fear of writing a giant Mistigris infofile at you, but I can understand why you might tremble at the prospect of having one presented before you to read. So let's not. For once, I can tell you what we're up to without stretching back to beige boxes running MS-DOS in 1994. (Please, let me tell you further, indeed at great length, just how I'm not going to discuss that stuff.) Nearly all of the digital crypts we were hoping to dig up have now been well and truly plundered, and so with nothing remaining to exhume save static and binary grave dust, there is nowhere to go but forward. (It seems like a bit of a lost opportunity, given this particular time in the whole calendar year giving license to hold forth on the black arts and dark lore of elder times, lost in the shadows of unspeakable ages, celebrating what are essentially dead artforms on commercially long-dead hardware, but let us not be glib: our membership is filled with real people who -- unlike most of the cyberpunk adolescents of yesteryear (RIP Night Daemon!) -- deal with real issues on an everyday basis and who have even over the course of this artpack's commission experienced real loss -- within the past month alone, including health scares, animal attacks, and the death of beloved family members. So let's keep this gloomy and ominous festival light, mmkay?) So I don't need to set the stage or define the terms: if you are looking into this artpack at all, either you already know what an artpack is about or you can break it down into its two words and figure it out. Why artpacks? The original, 1992, context answering this query is incredibly baroque and more to the point entirely defunct, but the 2016 answer is simple: because sharing interesting art is always worthwhile! But here's an insider baseball question: why is this artpack so small? (I know, I know, "small" is relative: this archive contains over 80 (!) pieces by over 30 (!!) artists, but I'll level with you: it's not the collection I've been shaking people down for half a year now...) Last year's October artpack -- our accidental, post-revival anniversarial standard -- contained a significant caucus of spooky seasonal artwork, which was... a little distracting from the larger body of computer art that was not. "Maybe I should have split it into two artpacks," I thought, "one of them Hallowe'en themed and one jam-packed with everything else." But you can't put the genie back in the bottle. This year, however, as we observed the same phenomenon arranging itself again, we were well positioned to reflect on our regrets and do things the right way this time around: curating a specialty Hallowe'en artpack from our pool of computer art submissions. But surely you have noticed the subtle, underlying theme. There is amazing artwork in this collection, some of which we've been pursuing since this time last year! Such a range and breadth of subjects, styles and mediums we have up on offer: from a brand-new C64 intro to oil paintings, to #inktober sketches by the bushel to barrels of teletext (the inclusion of the politicians, a little joke there -- what could be scarier?) by way of collage, photography, Shift-JIS, glitch, and ... did we mention the music? The authentic Mistigris touch with poetry folded in? You get all that PLUS a genuine jack o' lantern! Whatever "computer art" means to you, surely you will find it here -- and more! The point I'm eventually getting around to is this: enjoy the Hallowe'en art on the occasion of our 22nd anniversary... this collection is great, but there is a larger and greater collection -- what would have been our annual anniversary artpack -- queued up to follow it in mid-November. So stay tuned, computer art fans!  _,-}}-._  /\ } /\ _|(O\\_ _/O)___|_  _|/  (__''__) |#####|  _|\/ WVVVVW- Cthulu|#####|  \ _\\MMMM/_Mistigris founder.-----.###| _|\_\  _ '---; \_  October 29, 2016|#####|###|  /\   \ _\/ \_  /  \|#####|###|  / (  _\/\ \  |'VVV @mistfunkP |#####|###| ( '-,._\_.('VVV /mistigris.org(_/|\_) |#####|###|  \  /  _) /  _) (_/_ _\_)|#####|###| '....--''\__vvv)\__vvv)__________________________|_| |_|_|#####|###|_____ ldb SAUCE00MIST1016 Infofile Cthulu, Nail, ldb, CMistigris 20161028þ'Pb IBM VGA