4XXk.
`4$$k. 4XXXXk.

`4$Qll$$$$$$k. XXXXXXXXXXXXXXXXXP
lQQ$$$$$$P`  ÑÑÑÑÑ$$$$ÑÑÑÑÑÑP`
.d$$$$$$$P` mmmmmm  lQQ$ mmmmmmmmxxx∙∙ ∙   ∙ the haji remix project
.d$$$$$$QQlyyyyyy  ╒╦╦$$$$yy⌐
.d$$$$$│$$│$$$$$$P` .$$$$$$$P`  the  haji remix  project first  entered my
.dÑÑÑÑÑP`    `4$$P` ,d$│$Ñl└`  head sometime  back when i was still consid-
.d\   ]$  j$P`      erably productive.   in fact, there's a textual
.dÑP`  ,$$_ $$   reference to  it in  my h4-man.txt,  which i believe
.dÑP`   ``'4$k$$  i released with odelay oh-so-long ago (it was the 200
.dÑÑÑÑÑÑÑÑÑÑ  ]$$$  plus line flowing abstract piece).    any damned how,
..,d$lQQ  it  seems i  actually got  off my ass  to release the
$$` $$  fucking thing - bully for me.  i know it's not much i
$$  $$  terms  of quantity  (my  original  aspiration  was 20
$$  $$  remixes),  but these  things are far tougher to crank
$$  Ñ  out than one might think.   it was a  lot of fun dig-
$$k┌┐  ging up old  asciis which looked modifiable and fuck-
``'4$L  ing them to pieces.  i'd like to give some thanks and
öo. `4  respect to everyone who, to their knowledge or other-
mmmm k.   wise,  had their art  thoroughly  thrashed by me.   i
yyy$$k  know a lot  of people are going to decry this release
$$$$$$  and this  entire notion,  but i  frankly don't give a
```'/$  fuck.   i'm doing  something productive.   i'm giving
..   ┤  back to  the scene  in which  i play  a  decent-sized
∙∙∙∙∙ ∙  part.  whether i act like it or not, i love the ascii
; ::....  scene  and the  many people  whom i've met through my
∙ ||::    art.    this isn't me saying,   "get off your ass and
. ││||    produce  -  the scene needs it."   this is me saying,
"I   GOT   OFF   OF   MY   ASS   -   IT'S YOUR TURN."

let's destroy the future from here.
from now.
WE ARE THE RESISTANCE>>>
````    pat hajduch.  mmoney19@idt.net